I was thinking about but after two days they had a press release in the Norwegian media where they said, “Hold up, we can’t take anymore resumes.” A few months later, during summer vacation, I found out that my mother had sent in my resume for me and they had tried to contact me through messenger on Facebook. They were looking for someone between the ages of 17 and 19. They had open auditions for the third season. Everybody knew what Skam was and there were so many people that wanted to join the “Skamily”. Skam had its breakthrough in Scandinavia in its second season. HENRIK HOLM: I was introduced in the third season.
I didn’t want to tell my mom so I just walked into a room where I could be by myself and I just screamed “Yes!”
It was only my second audition so I didn’t think it would happen. They called me and told me they wanted to offer me the part of Isak and I didn’t know what that was but I was happy because nobody had cast me professionally before that. They said it would take a couple of weeks to find out, so I wasn’t stressing at all because it had just been one week since the audition.
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I was watching a movie when I found out I got the part. I also auditioned for the role of Jonas but I got the Isak role. In the last round, I got told that I was going to audition for Isak. So the casting guy came to our school and 1,000 people or more came to audition, and I just signed up. TARJEI SANDVIK MOE: It was an open audition and they announced that they needed people born between 19. TREY TAYLOR: Can you tell me how you got the role on Skam? And Tarjei Sandvik Moe and Henrik Holm are teetering on the precipice of intensely promising careers, leaving their beloved characters behind. Now, the show is headed for the impending doom of an American remake. It felt real, which is why fans-gay and straight alike-have rallied behind this show and reevaluated their attitudes toward sexuality and mental health. However, Holm and Moe pulled it off, providing a thrilling true-to-life coming out story that was neither navel-gazing nor embellished. And the explanation for its conclusion was a bit weak.
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Then the series ended, seemingly without warning. “While we were shooting it, we were kind of living in the Skam universe, and suddenly there were people trying to take pictures of us,” remembers Holm.Ī fourth season came and went centering on the Muslim character, Sana, and though it garnered both debate and praise, people couldn’t help but ache for the return of Isak and Even. The monumental shift from tiny Scandi show to international hit uploaded to Google Drive with bootleg subtitles didn’t go unnoticed.
Tarjei Sandvik Moe, 18, and Henrik Holm, 22, who embodied these characters for several short years. Its progressive narrative rested squarely on the sinewy backs of two hunky young actors. Only a few episodes deep and the series’ popularity reached a fever pitch. Homophobia, bullying, mental health-nothing was off the cards for series creator Julie Andem. With a short promo clip that could have been a stand in for a gay snuff film-jockish throbs in a locker room being showered with milk in slow motion-the series wasn’t afraid to shy away from explicitly homosexual subject matter. Throughout its 10-episode run, it hardly left the list of worldwide trending topics on any given social platform. It broke streaming records in Norway, and television viewership records in neighboring Denmark and Sweden. Taking every fan poll I’ve ever come across into account, season three was by far Skam’s most popular. It was the “gay” season, charting the blossoming relationship of Isak Valtersen and Even Bech Næsheim, both coming to terms with their sexuality against a cutting background of teenage angst. The third season of Norwegian teen series Skam dismantled stereotypes, coerced schoolkids into skiving off classes and turned homophobes into rainbow flag-waving defenders-and it first began airing one year ago today.